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Numéro: “Loewe Foundation 2023 Craft Prize Announces Artists”
Female Magazine: “The Loewe Foundation Craft Prize 2023 Finalists Are Here”
A Magazine: “Loewe Foundation Craft Prize 2023”
Smithsonian: “Exploring Border Stories with Artist Tanya Aguiñiga”
Galerie: “Discover the Finalists for the 2023 Loewe Foundation Craft Prize”
ARTnews: “Artist Prize Roundup: ...Frieze L.A. Releases Call for Entries for Impact Prize, and More.”
Architectural Digest: “Step Inside a Colorful Punta Mita Estate That Pays Homage to Past and Present Mexico”
Wallpaper: “Caymus-Suisun Winery connects visitors with its California setting.”
Hyperallergic: “Orange County Museum of Art Reopens With Free Entry For the Next 10 Years”
Artnews: “Worlds Collide as Galleries Converge for an Art and Design Fair in the Heart of Paris"
LUM Art Magazine: “Contemporary Craft, Collective Care: Tanya Aguiñiga”
Beloit College: "First female Latinx artist-in-residence coming in 2023"
Armory: “Standouts at Armory’s Focus 2022: “Landscape Undone”
Artsy: “5 Latinx Artists Using Abstraction to Address Precolonial Histories”
whitewall: "The Armory Show 2022 Awakens the Fall Season"
Cultured: “5 Can’t-Miss Latin American and Latinx Artists at the 2022 Armory”
Art & Object: “Standouts at Armory’s Focus 2022: “Landscape Undone”
Ms. Magazine: “Oakland Museum of California’s ‘Hella Feminist’ Exhibit Grieves, Celebrates, and Provokes”
The Washington Post: “At the Renwick Gallery, craft that captures our polarized times”
Wallpaper: Caymus-Suisun Winery connects visitors with its California setting
Hyperallergic: “15 Latinx Artist Fellows Receive $50K Grants”
The Art Insider: “Ford, Mellon Announce 2022 Winners Of Latinx Fellowships”
Mellon Foundation: “Mellon and Ford Foundations Announce Second Cohort of Latinx Artist Fellows”
ARTnews: On Its 10th Anniversary in New York, Frieze Deepens Its Connections to the City
Frieze LA: “Tanya Aguiñiga in the Studio with Christina Catherine Martinez”
Frieze LA: “ BIPOC Exchange Curated by Tanya Aguiñiga: Frieze Projects 2022”
ARTnews: “At Frieze L.A., BIPOC Exchange is Making Space for Social Justice”
KCET: “Free at Frieze LA, BIPOC Exchange Highlights the Role of Artists in Social Change”
The Art Newspaper: “At Frieze Los Angeles's BIPOC Exchange, buy art and give back to local communities”
Wallpaper: “Textile artists: the pioneers of a new material world”
The Art Newspaper: “Sanford Biggers and Tanya Aguiñiga win $250,000 Heinz award”
Chicago Tribune: “DePaul Art Museum reckons with dearth of Latinx artists in U.S. collections”
NPR: “Artists win awards for highlighting life on the border and reclaiming African art”
Daily Bruin: “Celebration Spectrum brings dynamic DJ sets, art installations to Grand Park”
SpectrumNews: “Grand Park's 'Celebration Spectrum' focuses on mental health, joy”
TimeOut: “Grand Park’s Celebration Spectrum”
LA Weekly: “Art Rise Wraps Up but the Work Continues”
Hyperallergic: “Cathartic Public Art, Including an Ode to All the Missed Parties”
Art Forum: “Intergalactix: against isolation/ contra el aislamiento”
Artnet News: “Not a Lot of Art Seems Accessible to Working-Class People”
Smart History: “Tanya Aguiñiga, Metabolizing the Border”
Bard Graduate Research Forum: “Tanya Aguiñiga—Making Metabolizing the Border”
Artandcakela: “Craft Contemporary Offers a Deep Dive into Sculptural Forms”
Surface: “The Colorful Return of Collective Design”
LA Times: “Experimentation. Reflection. Wild ensembles. Photos show 5 L.A. artists working under quarantine”
LA Weekly: “Event Pick: Tanya Aguiñiga Igtv Performance Live From The Armory”
KCRW: “How an artist builds connectivity across border walls”
Chicago Tribune: “Four fantastic art shows to catch before they’re gone”
The Brooklyn Rail, ArtSeen: “Tanya Aguiñiga: Extraño”
LA Weekly: “Tanya Aguiñiga: The Uplifter Creating Bridges Across The Border”
Playboy: “Teeter Totter Creator Ronald Rael Walks Back the White Gaze”
American Craft Council: “Object Lessons, Interview by Shannon R. Stratton with portraits by Douglas Kirkland”
Hyperallergic: “As Walls Go Up at Unprecedented Rates, Artists Use Them as Subversive Canvases”
LA Weekly: “A New Photography Exhibition Explores The Cultural Symbolism And Human Reality Of Walls”
LAist: “New Photo Exhibit At The Annenberg Space for Photography Explores A Sensitive Topic: Walls”
The Guardian: “Drawing a line: how artists are speaking out on US-Mexico border relations”
Architectural Digest: “Tanya Aguiñiga’s Exploration of Craft Along the U.S.-Mexico Border”
Hyperallergic: “Tapestries that Mend the Divides Between Mexico and the US”
KCET Artbound: “Artist and Mother”
Curbed: “To better understand the U.S.-Mexico border, one artist is tying knots”
Washingtonian: “This Exhibition Revisits Feminist Art From the 1970s”
Architectural Digest: “L.A.'s Famous Schindler House Has a Secret History That Relates to the Color Pink”
LA Times: “The Border as Muse”
KCET Artbound: “How Los Angeles Artisans Connect to Their Mexican Roots”
Galerie Magazine: “Tanya Aguiñiga Is an Art-World Dream Weaver”
Art Forum: “Critics Picks: 3 Women”
Artsy: “3 Women”
KCRW: “Three Women at the Landing”
Design Sponge: “Fine Art Focus”
KCET Artbound: “Craft Happening: Tanya Aguiñiga Vs. the Beverly Hills Police”
LA Times: “Tanya Aguiñiga unleashes new work at JF Chen”
LA Times: “Handmade Modern: Tanya Aguiñiga on ‘Craft in America”
California Home Design: “In The Studio With La Sculpture And Furniture Designer Tanya Aguiñiga”
KCET Artbound: “Performance Crafting: The Political Act of Weaving”
American Craft Spring 2021: Crafting a Culture of Care
Public Space/Contested Space: Imagination and Occupation (Metropolis and Modern Life): International Revolution by Design
A Very Anxious Feeling: Voices of Unrest in the American Experience; 20 Years of the Beth Rudin DeWoody Collection
Vitamin T: Threads and Textiles in Contemporary Art
Weaving: Contemporary Makers on the Loom
American Craft: Object Lessons
Renwick Invitational: Disrupting Craft
Textile Arts Center: Artist Interview
Including the largest land border crossing in the world, the US/Mexico border can be seen by some as the perimeter of Latin America, the edge of Mexico, Central and South America. The point at which 300,000 of our identities and histories are checked every day.
Expanding on this notion using a quipu, the Andean Pre-Columbian organizational system of recording history, as a framework to record the daily migrations to the north, Tanya Aguiñiga initiated Quipu Fronterizo/Border Quipu for her segment of AMBOS.
Quipu Fronterizo/Border Quipu engages US/Mexico border commuters on both sides of the border by asking about their experiences and asking them to anonymously tie a knot. The AMBOS team walks among the cars in traffic, pedestrians waiting in line, and surrounding areas of the crossing asking for participation in an art project that focuses on the lives of those who cross the border and/or live in the borderlands. Postcards that read “¿Qué piensas cuando cruzas esta frontera? / What are your thoughts when you cross this border?” are passed out with pencils for participants to record their thoughts in the space provided. All of those who work or live along the border are invited to participate, and asked what they think if they can cross the border, and if not, their opinions on living there. On the opposite side of the postcard, there is a explanation of the exercise for the quipu that we create with the help of participants. Commuters are given two strands of thread and asked to tie them into a knot reflecting their time and emotions spent crossing. The strands represent the US and Mexico’s relationship to one another, our self at either sides of the border, and our own mental state at the point of crossing.
Each knot is collected from commuters and tied to other knots made on the same day. The cumulative series of daily bundled knots is organized into a large-scale quipu and, for the first series of AMBOS in 2016, was displayed on a billboard above the AMBOS storefront hub in view of traffic waiting to cross the border. Quipu Fronterizo/Border Quipu seeks to materialize our connection to one another as a community and make our presence and experiences visible to bi-national audiences.
Currently, the quipu includes 8 columns of knots collected initially at the San Ysidro border crossing in Tijuana. The next five columns were collected and added during the AMBOS road trip in September of 2017, when the AMBOS team travelled to every border crossing from Arizona to the western border of Texas, totalling 18 crossings visited. The Quipu Fronterizo/Border Quipu will be completed in 2018, after the final road trip when the AMBOS team will have visited all the crossings remaining in California and Texas. By bringing Quipu Fronterizo/Border Quipu to all of these crossings, Tanya Aguiñiga, alongside the AMBOS team, will have completed the first exhaustive survey of collective emotion along the US/Mexico border.